I am a songwriter and an accordion player from Victoria, BC, Canada. I record and video a song a week. Sometimes I sing my own songs and sometimes I sing other people's songs. Sometimes I research the history of the song and sometimes I post other versions from youtube. I usually post the lyrics.
Showing posts with label holy modal rounders. Show all posts
Showing posts with label holy modal rounders. Show all posts
In 2012 I attempted to do a song a week blogpost. I didn't quite make it, weeks were missed as the year unfolded, especially towards the end. Still, it was ultimately fruitful in that the construct spurred me to play more music and create a body of work. I did a fair amount of research on the cover songs I did and found out some interesting stuff, I think some of the posts were a good read, some of the songs were good performances, and most importantly it was a catalyst for collaborating with other musicians and artists who I admire and love to play with - Rachelle Reath, Marek Tyler, Emily Goodenough, Eric Gallipo, David "The Great Giffoni" Gifford, Grayson Walker, Jeanne Tolmie, Troy "Big Bubba" Cook. It was very cool to track the hits on the blog, where they came from in the world, which posts were most popular, and I cultivated a YouTube presence which was turning out to be the legacy of the blog after it ended.
Then the weird Google shit hit the fan. My account was screwed around with and the videos, though they were still on YouTube, would not come up in a search. It was pretty much impossible to get them to come up, even with very specific searches.....and it still is. This year my wife Betty-Ann has endeavoured to re-post the blogs, an attempt to fan the dying embers, an act I am grateful for. At the same time it begs the question....why not get off your ass and do it again.
Dum-Dum. Dingaling. Ding Dong.
I'm running late! It's goddam January 12th! What the fuck. Here's the first one. When I first picked up the accordion one of my prime influences was the Holy Modal Rounders. Their irreverent, humourous, raw approach to old folk and hillbilly music gave me the license to have a go. Here's a song I've known for years but never played until a couple of weeks ago. Blues In The Bottle.
Here's the whole Holy Modal Rounders album that I was listening to at the time on a worn out cassette....first song is Blues In The Bottle
I haven't done exhaustive research, but I believe this is the original version of the song, recorded by Prince Albert Hunt's Texas Ramblers in 1928. It was also recorded, and is perhaps better known, by the great Lightnin' Hopkins. I would venture a guess that The Rounders were listening to this version.
Here's me doing the Holy Modal Rounders' Same Old Man last time I did this song a week biz.
And this is The Dogbreath Brothers channeling the Holy Modal Rounders Black-Eyed Suzy.....beer-fuelled and live to 4-track cassette yo. (Click link below the pic)
Way way back in art school, this super nice guy whose name I can`t remember, gave me a tape with Screamin`Jay Hawkins on one side and The Holy Modal Rounders on the other. The tape had been dubbed multiple times and sounded like shit but I loved it - both sides - and played it to death. When I started playing accordion and singing songs, my take on Black-Eyed Suzy a la The Holy Modal Rounders was one of the first songs I learned. I went on to record it with my first band, The Dogbreath Brothers Black-Eyed Suzy - Dogbreath Brothersand we also had other HMR tunes in our repertoire: Mole In The Ground, Cuckoo, and Flop Eared Mule. Man, was I ever surprised when I heard the "real" Flop Eared Mule played by a bunch of virutosos.HMR completely deconstruct it so ignoramuses like me can play it when they're drunk on Tullamore Dew.
This song, Same Old Man, has slowly and steadily worked its way under my skin and I took the time to learn it last summer. There is a profundity to the simple poetry of the lyrics that reaches beyond its literal boundaries, while the melody is primal. It is the HMR version of the traditional song The Old Man At The Mill, and as Steve Weber is credited for the arrangement, I imagine he wrote the lyrics that differ from the original.
The album(s) pictured above are the only ones that I am familiar with. These guys, Peter Stampfel and Steve Weber, had a tumultuous and turbulent career and put out a lot of crazed, joyous, psychedelic folk music. There were many breakups, reunions, and offshoots along the way and there was a lot of drugs. If you want to find out about the Holy Modal Rounders without reading a sanitary Wikipedia summary of their career, check out this rambling, very colourful interview with Peter Stampfel
I just came across this and I urge you to watch and listen to it! Karen Dalton was part of the folk revival in the early 60's and was associated with the Holy Modal Rounders, Bob Dylan, and others. While you can find many versions of the traditional Old Man At The Mill on youtube, this is the HMR version. It is quite haunting.
Same Old Man - (Traditional arranged by S. Weber)
It`s the same old man sittin` at the mill
mill turns round of its own free will
yes I`m certainly glad to be home
New York city can carry on alone
My mind is failing, my body grows weak
my lips won't form the words to speak
I'm floatin away on a boatful of pain
you'll hear my sad cry but won't see me again
It's the same old lady hanging out her wash
now she's wearing a Macintosh
she's hangin' out her hose in the middle of the rain
I thought New York City had gone insane
Hey little leaf lyin' on the ground
now you're turnin' slightly brown
why don't you hop back on to that tree
and turn the colour green the way you oughta be
***************************************
Here's the lyrics of a traditional version of The Old Man At The Mill
Same old man working at the mill
the mill turns around of its own free will
hand in the hopper and the other in the sack
ladies step forward and the gents fall back
Up said the raven as she flew
if I were a young man I'd have two
one to fetch and the other to sow
and I'd have a little string for my bow bow bow
Down sat at owl and he said all quiet
lonesome day and a lonesome night
thought I head a pretty girl say
court all night and sleep all day
My old man is from Kalamazoo
He don't give no "yes I do"
first to the left and then to the right
This old mill grinds day and night.
PLUS a killer live version of The Dillards performing it